- Framing while interviewing (I did try to set up the framing so that Tess was slightly off centre as I didn't want it to look like she was being put on the spot. I will try to concentrate on better framing next time.)
- Mic needed to be closer when performing acoustic set (When doing the sound check I thought it was picking up the sound ok but later on in post-production it is evident that it is quite quiet.)
- And Tripod in shot!! (Whoops, really should have noticed that while filming, school boy error...)
Wednesday, 19 May 2010
Bye bye 1st year...
Monday, 10 May 2010
Lucifer's Dream Box Productions...The editing stages
Sunday, 9 May 2010
Unlucky Productions...The editing stages
Saturday, 8 May 2010
Lucifer's Dream Box Productions...The filming stages Day 2
Once this was all done we decided it was time for lunch, a Cornish pasty was certainly in order! Then we found another quiet spot in Morrab to do a 2nd interview. Basically using most of the questions I asked her at her house the day before but giving her the chance to elaborate on certain things she may have felt she forgot to mention. Then as the Cornish weather always seems to change at the drop of a beat, the wind picked up and the rain started spitting so we decided to head to Tess' to film her doing typical Mum stuff, preparing dinner.
Having already filmed a cookery show as part of the uni course I had a basic idea of what shots work well. Trying to keep Tess relaxed in front of the camera I got her to talk me through what she was doing, as though she were on a cookery show! This was enjoyable to film but a little bit difficult with lighting as there were to big sources of natural light coming through from opposite sides of the kitchen.
It was then time to serve up dinner and have the kids sat round the table to enjoy their chili con carne! I felt a little bit like I was intruding being stood there with a camera while they were eating dinner but the children were all great, well behaved and I'm grateful for them letting me film them!
So day 2 has come to an end and has been as successful as day 1. I'm really pleased with how things are going and I have the majority of my footage done. I'm going to meet up with Tess tomorrow in case there is anything we may have forgotten.
Lucifer's Dream Box Productions...The filming stages Day 1
- Interview at home
- Acoustic set in Morrab Gardens
- 2nd Interview in Morrab Gardens
- Mixing on the decks
- Fruity Loops and Computer instructional brief
- Dinner prep
- Family dinner
- If I were from another planet and had no idea of what 'genre' is, how would you describe your music?
- Explain to me your musical background: who you grew up listening to, what bands or artistes you find inspiring?
- What made you decide to start making your own music?
- What do you think of the Cornish music scene?
- At what point did you decide to get rid of your TV? How did your children react? What impact do you feel it's had on their lives?
- Is it difficult juggling motherhood and your passion for music?
- Do you hope your children will follow in your musical footsteps?
- Explain to me a typical day in the life of Tessa Weaver
- Is there any particular message you're trying to get across in your music?
- Do you have a message for anyone who is thinking about starting to make their own music?
- Where did 'Bucklemunki' come from?
- What's next for Bucklemunki/Tessa Weaver?
I feel that Tess answered the questions really well, she was able to elaborate and not just give one-worded answers which was really helpful. As the interview went on I think she felt more comfortable in front of the camera, maintaining eye contact with me rather than the camera. I feel that the lighting worked really well as there was some natural light coming in from the window adjacent to where Tess was sat.
Once we had wrapped up the interview I decided to film her doing what she does best, having a good mix on her decks. This was really interesting to film and I think I took some great shots, especially close ups of her hands at work. I used one camera on the tripod to film a static viewpoint and used another camera, free-hand to get some other shots. I did encounter a couple of problems with too much natural light coming through the blinds but I think i can scrap those shots in editing.
I then decided to film Tess working on her computer and music editing software. Tess uses Fruityloops, now known as FL Studio to create her music and than exports it into Cubase to layer any vocals on top. While doing this I also filmed a few shots around her house to get a feel of her home.
I was really pleased with how day 1 panned out. There were no major issues that I couldn't tackle and it was a fairly successful day. Tomorrow's filming is set to start in Morrab Gardens so we're praying for sunshine! An early start is in order so plenty of coffee and inspiration from Dave Grohl is needed....
Thursday, 6 May 2010
Unlucky Productions...The filming stages
So with Harry & Tom directing and on the cameras, Carlina as producer and myself on sound we set out to make our film starting where better than with scene 1. Thanks to the lovely Miss Rachel Sowden for sorting out permission for us to film in her house (and also making a mean cup of coffee). With our two main characters, Johnny and Adrian ready to begin we hit our first hurdle. The sound. We couldn't quite work out why it was sounding so distorted. A minor setback though as we soon realised the problem was due to manual mic settings on the Sony Z1. Problem solved, so we began to shoot. When we completely finished the scene it felt like there was finally a light at the end of the tunnel, that we could accomplish the objective and we had a manageable film on our hands. Wrong. How misleading of scene 1.
The next scene to film was scene 3 and the meeting of Oily Pete. A big thank you to Mr Simon Partington for playing the part so well. This scene went surprisingly well too, there were no major setbacks and we finished the scene in good time.
The next scene to film was in The Royal Oak pub, in Bath. A big thank you to them for letting us film there at such short notice! This was the scene between Adrian and his long-suffering girlfriend Cheryl. Filming of this scene went relatively well, we did notice that there was a lot of traffic noise coming through on the mic and also we had some colour and light issues on Cheryl's face because there was a lot of natural light coming in through the window.
It was the next scene, where Adrian and Johnny meet Raggy, that proved the most difficult to film. A few moments where sloppiness proved to overcome professionalism, where you could see mine and Tom's reflection in the windows, tripods being left in shot etc. However, the majority of the time, we did notice these things on set so it was easily fixed. This scene provided us with a good set of bloopers, I don't know if we were all worn out by this time but we all seemed to get the giggles when Tom made his cameo appearance! It was good fun filming this scene, a huge thank you to Mr Edem King for playing the part of Raggy so well and also thanks to Barney Bowles-Bray for playing Raggy's right-hand man. Laughter and bloopers aside, we had some major issues with the location we used which meant that we weren't able to finish the scene how we wanted to, and it was clear that this may affect the final edit of the film. This proved stressful for cast and crew and felt as though we had exhausted our abilities, it was unfortunate for this to happen and felt as though we had to finish when it clearly wasn't finished. So we had to call it a day and think up ways to complete the scene. Another big thank you to the Royal Oak for serving great cyder at stressful times like these!
We decided that the footage we shot for Raggy's scene would probably be enough so decided to get straight on with filming our chase scene. The sun was bidding farewell from the skies which meant that time was against us. Some of the shots are a little bit dark and we probably should have adjusted the iris a little bit more. However, we decided that in the editing stages we could probably use it to our advantage and use the gradual darkening of day to night to emphasise the tension in the film and make it appear more raw. A big thank you to Raggy's merry men, Rob Hoal, Joe Wedgbury, Teagan Lucas and Fran Norris for getting their running gear on and getting their blood pumping! I know how tiring it was because I made a cameo myself as a running hoodlem..Thanks again guys! Last and definitely not least, thank you Matt and Chris for playing our two protagonists. Not once did you let us down, we really appreciate it.
So what have we learnt??
Organisation is key. Cast will often drop out, and in our case, at the very last minute so it is worth having a few people to understudy. locations are also a major factor of setting the theme of a film and any permissions that need to be granted, ought to be in good time and cleared with everyone associated with that location. Also, keep an eye out for minor details that can have a major effect on the final outcome. Tripods in shot, booms in shot, even producers in shot are things that make professional films amateur. The filming process of 'Securus Viaticus' has certainly been a learning curve. Let's hope the editing stages are slightly easier.
Friday, 16 April 2010
Lucifer's Dream Box
For my individual project I want to try and make people aware of this. I am going to be filming a music featurette on Tessa Weaver aka 'Bucklemunki'. Tessa has been an MC, DJ & producer for a number of years while juggling motherhood and her passion for music. While many people hold a stereotypical view of single mothers being daytime TV addicts, Tessa a Mum of 4, threw out her TV a few years ago. Instead opting to bring music into her children's lives, getting recording equipment and having her kids help out and get involved in her music claiming it has brought them closer. I have known Tess for a few years now and I feel that she will be a highly inspirational subject to, not just single mums, but also anyone of any age who is interested in music. We want to inspire people to stop congregating around the television set watching mind-numbing programmes, get your creative juices flowing!
I will be constructing an interview with Tess and will also be hoping to film her everyday life, with her children, working on music projects, jamming with friends to try to get a grasp on WHO Tessa Weaver is. I also hope to finish off on a live gig, giving the documentary something to work towards. With Tessa's permission I will be using some of her music to show off her artistic talents. I hope to film them in the style of something that may be seen late night on 4music. Mixing interviews with performances and narration from the interviewer, here is an example from 4music Favorites on indie artist Jamie T. Bit of a shame the sound is out of sync with the picture but I think this is a good example of the kind of style of documentary I want to make.
I'm very excited to be doing a project like this, I like the thought of doing a documentary but being able to incorporate music into it too. I have known Tess for a few years and think she will be a great subject to document. Because we both know each other I feel we will both be at ease with interviewing.
Here are a few videos Tessa 'Bucklemunki' has uploaded onto Youtube of her music. Enjoy!
Thursday, 18 March 2010
Going solo...
Today we started to plan our individual film projects. We watched a couple of short films made by current students at Bath Spa Uni and also a short film which really stood out to me by Stefan Nadelman called 'Terminal Bar'. Nadelman was lucky in the sense that his father was a photographer and had a wide archive of pictures he took whilst working in a bar in downtown New York. The film runs through the bar's history. The many different faces, the changes in trends, but also showed the similarities between all of the regulars who attend the bar. This really stuck out to me because I have worked in a bar and seen the people who go there everyday and it dawned on me that anything can be made in to a good story.
I kind of have an idea of what I would like to do my individual project on and am currently in the proposal stages.
City of...Gosh that sounds a bit different
Unfortunately due to those pesky copyright infringement laws I'm not allowed to post the finished project on here. However, I can assure you, it's very good. Honest.
Monday, 15 March 2010
What's cooking down under??
Here is the final edited piece...
While watching through our cookery demonstrations with the class a number of errors were pointed out. We had quite a major issue with lighting and colour balance which is apparent when watching the edited piece. This is something we have to bare in mind for next time as something so simple can affect the outcome of the overall project. Also the voice over was a little out of sync at some points which can throw the audience off slightly. We also missed out an ingredient which we actually did not realise until watching it through with the class! This is something that really should have been checked.
There are a few errors we made which we all have learnt from. However, of all the cookery demonstrations ours was seen to be the most enjoyable to watch by a number of our classmates. I feel that we had fun filming and it really came through in the final piece.